By Jason Borge
This publication analyzes the preliminary engagement with Hollywood through key Latin American writers and intellectuals through the first few many years of the 20 th century. The movie city awarded an ambiguous, multivalent signal for validated figures like Horacio Quiroga, Alejo Carpentier and Mário de Andrade, in addition to much less popular writers just like the Mexican Carlos Noriega wish, the Chilean Vera Zouroff and the Cuban Guillermo Villarronda. Hollywood’s arrival at the scene put such writers in a bind, as many felt forced to emulate the "artistry" of a medium ruled via a state posing a symbolic affront to Latin American cultural and linguistic autonomy in addition to the region’s geopolitical sovereignty. The movie hence occupied a vital web site of clash and reconciliation among aesthetics and politics.
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Latin American Writers and the Rise of Hollywood Cinema (Routledge Studies in Twentieth-Century Literature) by Jason Borge
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