By Bernadine Barnes

In seeing revealed reproductions as a sort of reaction to Michelangelo's paintings, Bernadine Barnes makes a speciality of the alternatives that printmakers and publishers made as they chose which matches will be reproduced and the way they might be awarded to varied audiences. Six essays set the reproductions in ancient context, and look at the demanding situations provided by means of works in quite a few media and with various levels of accessibility, whereas a 7th considers how released verbal descriptions competed with visible reproductions. instead of focusing on the intentions of the artist, Barnes treats the prints as vital symptoms of using, and public response to, Michelangelo's works. Emphasizing reception and the development of historical past, her technique provides to the growing to be physique of scholarship on print tradition within the Renaissance. the amount incorporates a accomplished record prepared through the paintings reproduced.

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Michelangelo in Print: Reproductions as Response in the Sixteenth Century by Bernadine Barnes


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