By Marta Hernández Salván
Mínima Cuba analyzes the reconfiguration of aesthetics and gear in the course of the Cuban postrevolutionary transition (1989 to 2005, the belief of the “Special Period”). It explores the marginal cultural creation at the island by way of the 1st iteration of intellectuals born in the course of the Revolution. the writer experiences the paintings of postrevolutionary poets and essayists Antonio José Ponte, Rolando Sánchez Mejías, and Iván de los angeles Nuez, between others. of their writing we discover the exhaustion of the allegorical and melancholic rhetoric of the Cuban Revolution, and the poetics of irony constructed within the present biopolitical period. The ebook will attract a person attracted to modern literary and cultural reports, poetics, and movie reviews in Latin the USA and the Caribbean.
Marta Hernández Salván is affiliate Professor of Spanish on the college of California, Riverside.
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Minima Cuba: Heretical Poetics and Power in Post-Soviet Cuba (SUNY series in Latin American and Iberian Thought and Culture) by Marta Hernández Salván
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