By Erlinda Gonzales-Berry,Kay (Kayla) García
Paletitas...delivers the strong lesson of ways a number of identities and topic positions may be constituted of the opposite aspect of assorted foreign, inter-ethnic, and sexual borders. by way of combining this lesson with humor and a splendidly done language, [it] instructs ...and...entertains, and during this manner seals its connection to the easiest ...Chicano oral culture. Angie Chabram-Dernersesian, Dictionary of Literary Biography, 2009
Gonzales-Berry...se rebela contra las limitaciones tradicionales del bildungsroman femenino...caracterizado de buena medida por su utilidad para “domesticar” a las mujeres lectoras. Marina, por el contrario, aprende a deshacerse de esos mecanismos culturales reductores y a establecerse a sí misma como personality madura y compleja. Manuel M. Martin-Rodríguez. Latin American Literary assessment (Jan-June 1995)
Paletitas de Guayaba ... is a visit to the center of being a Chicana and towards a transnational id and what that implies when it comes to state, race, gender and sexuality.—Diana Rebolledo
Erlinda Gonzales-Berry’s ancestors settled within the Río Grande Valley in 1598. She grew up in el campo in Northeastern New Mexico, attended highschool in El Rito, and received her Ph.D. on the collage of latest Mexico. Gonzales-Berry at the moment lives in Corvallis, Oregon the place she retired from the Ethnic reports division at Oregon State college in 2007.
Kay (Kayla) S. García, the co-translator of “Paletitas de Guayaba/On a educate known as Absence,” is Professor of Spanish at Oregon kingdom college, and writer of “Broken Bars: New views from Mexican ladies Writers” (University of latest Mexico Press), and the translator of a unique by means of the Mexican writer Jacobo Sefamí, “The booklet of Mourners.”
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Paletitas de Guayaba On A Train Called Absence by Erlinda Gonzales-Berry,Kay (Kayla) García
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